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Lucian Freud: Interior Life: With photographs by David Dawson,

6 Oct - 16 Dec 2022
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  • Forthcoming
  • Past

Lucian Freud: Interior Life: With photographs by David Dawson

Past exhibition
  • Overview
  • Lucian Freud: Catalogue Raisonné of the Prints
  • Selected Works
  • Video
  • Installation View
  • Overview
    Lucian Freud Self-Portrait: Reflection, 1996 Etching on Somerset Textured White paper Plate: 23 ⅜ x 17 inches; 59.5 x 43 cm Sheet: 34 ¾ x 27 ¾ inches; 88.3 x 70.4 cm
    Lucian Freud
    Self-Portrait: Reflection, 1996
    Etching on Somerset Textured White paper
    Plate: 23 ⅜ x 17 inches; 59.5 x 43 cm
    Sheet: 34 ¾ x 27 ¾ inches; 88.3 x 70.4 cm
    Including oils, works on paper, etchings, coppery plates, and photographs by David Dawson
     

    In 1982 Lucian Freud returned to printmaking after a long break of over three decades. By this point he was fifty and had already gained significant critical acclaim for his visceral portraits, landscapes and still life paintings. In an effort to shed further light upon the often isolated understanding of Freud’s printmaking practice, this exhibition brings together twenty etchings shown alongside related paintings, drawings and photographs. Beginning with the tender depictions of his mother made at the very start of his renewed interest in printmaking, the show encompasses etchings right through to the final decade of his life.

    Freud would often start an etching after he had completed a painting, working directly from the model in a similar way to his oils by standing the copper plate upright on the easel like a canvas. Unlike painting or drawing, however, etching presented greater risks. The success or failure of the many months working on the soft copper surface was realised in the first proofing. On display here are some of the etching plates which did not work, rejected and subsequently scratched out, offering an unedited view of the artist’s process.

    Shown alongside Freud’s own work are photographs taken by his close friend and studio assistant of over twenty years, David Dawson.  Exhibited for the first time, they capture the poignant final months of Freud’s life. Although there is a striking absence of the human form in many of these images, the artist’s presence is very much felt as the viewer is offered a rare glimpse into his home and his art collection.  In this way they seem to capture a sense of time beyond the physical works and offer a uniquely intimate posthumous encounter with the artist. When considering the photographs and Freud’s own work together, the richly interwoven nature of his practice and the power of his intense scrutiny as an artist becomes all the more apparent.

    Lucian Freud: Interior Life will coincide with the National Gallery's major Credit Suisse Exhibition of paintings, Lucian Freud: New Perspectives (1 October 2022 - 22 January 2023). 

    • List of Works
    Download Press Release
  • Lucian Freud: Catalogue Raisonné of the Prints

    Lucian Freud: Catalogue Raisonné of the Prints

    The exhibition also marks the publication of 
     
    LUCIAN FREUD: Catalogue Raisonné of the Prints 
    By Toby Treves
    Published by Modern Art Press
     
    This first volume of the Lucian Freud catalogue raisonné focuses on the artist’s prints. The only complete volume of Freud’s prints, the book builds upon the work of earlier cataloguers and adds much new material which has come to light since the artist’s death. The volume records every print Freud made, from the early linocuts of the 1930s to his last etching published in 2007. Each work—including uneditioned etchings and unique proofs—is reproduced and fully catalogued by Toby Treves. Treves’s remarks include clear, precise technical detail for specialists and are informed by his knowledge of the wider oeuvre. An essay by the critic and Freud specialist Sebastian Smee, and an interview between art historian Martin Gayford and Freud’s main printmaker, Marc Balakjian, provide further insights into this part of the artist’s oeuvre. The catalogue raisonné has been designed by Design Holborn, also responsible for the recent publications Lucian Freud, with text by Martin Gayford, and Lucian Freud: A Life.
     
    For more information about the exhibition and catalogue raisonné, please contact the gallery.
  • Works
    • Self-Portrait: Reflection, 1996 Etching on Somerset Textured White paper Plate: 23 ⅜ x 17 inches; 59.5 x 43 cm Sheet: 34 ¾ x 27 ¾ inches; 88.3 x 70.4 cm
      Self-Portrait: Reflection, 1996
      Etching on Somerset Textured White paper
      Plate: 23 ⅜ x 17 inches; 59.5 x 43 cm
      Sheet: 34 ¾ x 27 ¾ inches; 88.3 x 70.4 cm
    • In the Garden, 2006 C-type photograph 30 x 23 ¾ inches; 76.4 x 60.5 cm Signed and numbered on reverse
      In the Garden, 2006
      C-type photograph
      30 x 23 ¾ inches; 76.4 x 60.5 cm
      Signed and numbered on reverse
    • The Painter's Mother II, 1972 Oil on canvas 7 x 5 ½ inches; 17.8 x 14 cm
      The Painter's Mother II, 1972
      Oil on canvas
      7 x 5 ½ inches; 17.8 x 14 cm
    • Paints and Brushes, 2011 Giclée inkjet print on Fuji gloss paper
      Paints and Brushes, 2011
      Giclée inkjet print on Fuji gloss paper
    • Eli, 2002 Etching on Somerset Textured White paper Plate: 26 x 33 ½ inches; 65.9 x 85 cm Sheet: 30 ½ x 37 ½ inches; 77.3 x 95.4 cm
      Eli, 2002
      Etching on Somerset Textured White paper
      Plate: 26 x 33 ½ inches; 65.9 x 85 cm
      Sheet: 30 ½ x 37 ½ inches; 77.3 x 95.4 cm
    • Eli on the Bed, 2011 Giclée inkjet print on Fuji gloss paper
      Eli on the Bed, 2011
      Giclée inkjet print on Fuji gloss paper
  • Video
  • Installation Shots
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HAZLITT HOLLAND-HIBBERT | LONDON
38 Bury Street
St James’s
London SW1Y 6BB

Tel: +44 (0)20 7839 7600 

Monday – Friday 10am – 6pm
Saturdays (during exhibitions) 11am – 5pm
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